Introduction and Notes
by Jane Thomas, University of Hull
The Well-Beloved completes the cycle of Hardy's great novels, reiterating
his favourite themes of man's eternal quest for perfection in both
love and art, and the suffering that ensues. Jocelyn Pierston, celebrated
sculptor, tries to create an image of his ideal woman - his imaginary
Well-Beloved - in stone, just as he tries to find her in the flesh.
Powerful symbolism marks this romantic fantasy that Hardy has grounded
firmly in reality with a characteristically authentic rendering of
location, the Isle of Slingers, or Portland as we know it. Overt exploration
of the relationship between erotic fascination and creativity makes
this novel a nineteenth-century landmark in the persistent debate about
art, aesthetics and gender.