With an Introduction and
Notes by Doreen Roberts University of Kent at Canterbury
'Examine your words well, and you will find that even when you have
no motive to be false, it is a very hard thing to say the exact truth,
even about your immediate feelings...' Adaam Bede (1859), George Eliot's
first full-length novel, marked the emergence of an artist to rank
with Scott and Dickens. Set in the English Midlands of farmers and
village craftsmen at the turn of the eighteenth century, the book relates
a story of seduction issuing in 'the inward suffering which is the
worst form of Nemesis'. But it is also a rich and pioneering record
- drawing on intimate knowledge and affectionate memory - of a rural
world that we have lost. The movement of the narration between social
realism and reflection on its own processes, the exploration of motives,
and the constant authorial presence all bespeak an art that strives
to connect the fictional with the actual.